Monthly Archive for June, 2008

Planning for the apocolypse through anticipatory archeology

In a nicely conceived act of anticipatory archeology,The Rosetta Project, funded by the Long Now Foundation, is creating and disseminating a unique record of human language.

The Disk surface shown here, meant to be a guide to the contents, is etched with a central image of the earth and a message written in eight major world languages: “Languages of the World: This is an archive of over 1,000 human languages assembled in the year 02002 C.E. Magnify 1,000 times to find over 15,000 pages of language documentation.” The text begins at eye-readable scale and spirals down to nano-scale. This tapered ring of languages is intended to maximize the number of people that will be able to read something immediately upon picking up the Disk, as well as implying the directions for using it—‘get a magnifier and there is more.’

On the reverse side of the disk from the globe graphic are 15,000 microetched pages of language documentation. Since each page is a physical rather than digital image, there is no platform or format dependency. Reading the Disk requires only optical magnification. Each page is .019 inches, or half a millimeter, across. This is about equal in width to 5 human hairs, and can be read with a 500X microscope (individual pages are clearly visible with 100X magnification).

The 15,000 pages in the collection contain documentation on over 2500 languages gathered from archives around the world. For each language we have several categories of data—descriptions of the speech community, maps of their location(s), and information on writing systems and literacy. We also collect grammatical information including descriptions of the sounds of the language, how words and larger linguistic structures like sentences are formed, a basic vocabulary list (known as a “Swadesh List”), and whenever possible, texts. Many of our texts are transcribed oral narratives. Others are translations such as the beginning chapters of the Book of Genesis or the UN Declaration of Human Rights.

It is quite awe inspiring to look at an object like this and consider the infinite wealth of information that it contains about human civilization. We often take for granted the huge amounts of information that we carry around with us on a daily basis. To behold an object like this, that like Carrol’s rabbit hole invites us to spirl down into it, whose form fits its purpose so well, is quite something.

A major concern of our project is the drastic and accelerated loss of the world’s languages. Just as globalization threatens human cultural diversity, the languages of small, unique, localized human societies are at serious risk. In fact, linguists predict that we may lose as much as 90% of the world’s linguistic diversity within the next century. Language is both an embodiment of human culture, as well as the primary means of its maintenance and transmission. When languages are lost, the transmission of traditional culture is often abruptly severed meaning the loss of cultural diversity is tightly connected to loss of linguistic diversity. To stem the tide and help reverse this trend, we are working to promote human cultural and linguistic diversity, as well as to make sure that no language vanishes without a trace.

  • Digg
  • StumbleUpon
  • del.icio.us
  • Facebook
  • Reddit
  • Live
  • E-mail this story to a friend!

Eleven dollar bills, but you only got ten

Researchers at MIT recently discovered an Amazonian language with only 300 speakers that has no word to express the concept of “one” or any other specific number.

The team, led by MIT professor of brain and cognitive sciences Edward Gibson, found that members of the Piraha tribe in remote northwestern Brazil use language to express relative quantities such as “some” and “more,” but not precise numbers.

It is often assumed that counting is an innate part of human cognition, said Gibson, “but here is a group that does not count. They could learn, but it’s not useful in their culture, so they’ve never picked it up.”

If it is the case that numbers are not inherent to human societies, then what type of technology are they? The researchers suggest that numbers arise in language as a consequence of a social need for them. What could this need have originally been? Perhaps trade and commerce are at the root? But isn’t this supposed to be a natural behaviour of man?

[link to MIT release]

  • Digg
  • StumbleUpon
  • del.icio.us
  • Facebook
  • Reddit
  • Live
  • E-mail this story to a friend!

The frontier of history and lost cities

For part of the 10th century, this pocket of northwestern Cambodia was the capital of the famed Angkorian empire, a sprawling city studded with homes, irrigation channels, and more than 1,000 temples. Satellite photography helps archaeologists survey this land mine laden and largely unexplored site. [via ]


Bit-rot, book worms, city swallowing hurricanes. The archaeologist is firstly set to task in the compilation of archives. Gathering up information in all of its varied forms after it has fallen out of the coherence and illumination of active human knowledge, pulling from the dust stories and dreams that have become untethered from the human network and reintroducing them to the possibility of knowledge and life. The first steps in the process are to index and collate these orphans and then to integrate and connect them into databases and libraries. A cartography of this knowledge, of those languages dead but in writing, those margin notes about household needs in medieval prayer books, represents the frontier of history at this moment. Or, to be more precise, one of the frontiers of history, the frontier of the public domain.


The Kirtas Technologies’ APT Bookscan 1200 can automatically digitize 1200 pages per hour. The machine weights 77kg and is priced at EUR 120,000. [company site]

There are regions even here overgrown with bush and scarcely traveled. Surely the maps have a record of them and lines extend out around them to show that they are claimed within the purview of history, but what are the declinations of the mountains there? Are there caves? Cities? These answers may yet to be discovered, or those dark places on the map may survive the map itself, may never be looked upon by human eyes, and fall into oblivion. However, recent advancements in the methods by which our civilization patrols, explores and defines frontiers will bring lonely wayfarers to these outposts along routes not originally conceived by the cartographers. The pharaonic enterprise of private corporations like Google and public institutions like the Library of Congress are taking point by point measurements of our the vast expanse of history’s frontier that is contained upon the continent of the public archive. The resolution is precise: each pebble a word whose characters are optically recognized and related to all other characters in the realm. This morphology transforms the frontier almost into a vast schizophrenic ocean where point to point geometry does not obtain, where a journal entry from an arctic expedition, a paper on audiology and a facebook profile might by happenstance resolve in the same state before a traveler searching for a friend who exists in midtown Manhattan.

This Pegasus sculpture was micromachined from a particle of diamond dust using a focused ion beam (FIB) microscope. It was produced as a piece of marketing ephemera to showcase Norsam Technologies’ archival etching process which can shrink down and inscribe between 1,000 and 100,000 pages on a 2 inch nickel disc. [company site]

But this frontier is an inherently fragile and fluid one. While some territories are constantly being opened through the labors of scientists probing the heavens and of suburban mothers cataloging their anxieties over which of the many baby carriages on the market they ought to select, others are consigned to an inescapable oblivion. The frontier of history traces out a wholly technological interior. What is knowable historically lives in media. Buildings, infrastructure, inscriptions, papyrus, punch cards, floppy disks, all as physical containers of meaning are intimately tied to the preservation and persistence of history. The contemporary reality of digital representation as the prevailing medium of history presents two radical possibilities for the future frontiers of history. Either on the one hand history will become more monolithic in its shape as all of human activity in the real world recedes not quietly back into time, but rather is inscribed persistently in a record which in turn pushes the frontiers of history further and further outward. However, the consequence of this may be precisely the thing that results in a complete foreclosure of this period of history. What will become of our harddrives, and our PDF file formats hundreds (even dozens) of years hence? Even baring a catastrophic interruption in our civilization, a generation of technological progress and poor preservation could relegate the prior generation to naught.

  • Digg
  • StumbleUpon
  • del.icio.us
  • Facebook
  • Reddit
  • Live
  • E-mail this story to a friend!

Noble simplicity and quiet grandeur?

Gods in Color: Painted Sculpture of Classical Antiquity, a new exhibition currently making its rounds in the United States, features meticulous copies several sculptures from the Hellenist period using chemical analysis to accurately render the original coloration. The catalog from the exhibition, when it was at Harvard’s Sackler Museum, provides some nice background:

The ideal of unpainted sculpture and of unadulterated contour and volume took shape in Renaissance Rome, inspired by the finds and early collections of classical marble statues, such as the Laocoön Group discovered in 1506. These were denuded of their painted surfaces by prolonged exposure to the elements, burying conditions, and often, most likely, a good scrub upon recovery. With the works of Michelangelo, white marble sculpture was established as the noblest of arts. It was greatly admired in the neoclassical period of the eighteenth and nineteenth centuries, when ancient Greek sculpture was regarded as the ultimate expression of “noble simplicity and quiet grandeur,” to use the famous phrase of the German art historian Johann Jachim Winckelmann

When I see these color palettes atop this elegant and mythic marble it is really quite unsettling. There is such an ingrained picture in my mind of Hellenistic art as having this elegance of expression that, to see it contradicted with bright colors, does not sit right. I wonder if, by some fluke of chemistry, most of the sculptures from this period had retained their color profile over the years, then certain inflections and modes of idealization in the neoclassical period would have been changed or diverted. I, anyway, like to imagine that they would.

[via archaeology.org - includes more images and links]

  • Digg
  • StumbleUpon
  • del.icio.us
  • Facebook
  • Reddit
  • Live
  • E-mail this story to a friend!

Mapping infrastructure, part 2

Just came across this advertisement from a September 1914 edition of Modern Mechanix [via the Map Room] that shows all of the telephone exchanges that existed in the US at that time. (Aside: in a North American phone number, the “555″ is the exchange: 1-XXX-555-YYYY). Propoganda value asside, it is quite a fascinating map. We see that the highest density of exchanges originated in Pittsburgh and extended out like a large sneeze all across the Midwest (who would have thought?). Ahh, to imagine a time when Florida was just a backwater swamp and California had roughly the same telecommunications density as North Dakota. I bet Detroit was just twitching to become an industrial powerhouse…

  • Digg
  • StumbleUpon
  • del.icio.us
  • Facebook
  • Reddit
  • Live
  • E-mail this story to a friend!

Infrastructure visualization

Ben Fry, a data visualization artist and teacher, compiled the above image of the US. As he describes it,

All of the streets in the lower 48 United States: an image of 26 million individual road segments. No other features (such as outlines or geographic features) have been added to this image, however they emerge as roads avoid mountains, and sparse areas convey low population.

While not terribly profound, it is an interesting inversion: geography as an emergent property of infrastructure. Fry mentions elsewhere that one of the reasons he omitted Hawaii and Alaska was because this relationship is not visible.

I rather like looking at a crop of the image, and watching these nameless towns become nodes in a web traced out by roadways, looking almost like bacterial cultures. It is almost like looking up into the sky and seeing all the different stars, some bright, some dim, wondering what those worlds must be like.

Project website with higher resolution close ups

Fry’s commentary and sketch of the technical process involved

  • Digg
  • StumbleUpon
  • del.icio.us
  • Facebook
  • Reddit
  • Live
  • E-mail this story to a friend!

Geospatial imaging and human rights

Wired today featured a profile of the American Association for the Advancement of Science’s (AAAS) efforts to bring satellite reconnaissance photography to bear upon human rights violations within closed societies like North Korea and disputed territories like the Gaza Strip. They work with NGO’s and regional groups to help provide and disseminate documentary evidence of acts of violence to the world community.

Visualizing human atrocities from the perspective that these images afford is a quite a complicated thing to do. One can look at an aerial view of Auschwitz, for instance, of prisoners lined up, tracing a curved line, to be processed through the gate. But the whole scene still resolves at such a clinical level. One can illustrate and argue from miles in the air, but can one provide the visceral force of documentation needed to rouse the world’s intervention? After the fact, when the picture has meaning and history behind it, certainly, it can be quite compelling and have an almost a voyeuristic magnetism to it. This was where they would shoot them. This is the creek that the ashes were dumped in. But how do we understand it, how do we relate to the reality in these images?

  • Digg
  • StumbleUpon
  • del.icio.us
  • Facebook
  • Reddit
  • Live
  • E-mail this story to a friend!

Static images reimagined

It will be interesting to see how, or if, this technology is used commercially. Encountering this perspective for the first time, before it has had time to absorb into one’s common place, certainly rings with a bit of the “oh cool” factor. The so-called “Direct Image Manipulation” has the effect of interrupting the way we usually interact with and conceive of video. The fulcrum shifts and we are presented with objects in motion almost more so than we are a sequence of images. The video becomes almost more of a captured reality than a photographic record (but, of course, thats what they used to say about photography).

You can download a video player from the project website that lets you manipulate any .avi video files in this way. The program itself seems to work pretty well after it scans the video file frame by frame, creating an index that drives its functionality.

A seperate project, created by researchers at Carnegie Mellon, is able to create an entire “geometric context” [read also as a 3-d space] from a single flat image. Very cool, almost like the esper machine from Blade Runner. The project website can be found here.

  • Digg
  • StumbleUpon
  • del.icio.us
  • Facebook
  • Reddit
  • Live
  • E-mail this story to a friend!