A rather entrancing article, published originally in the Guardian, meditates on the hidden images of America’s “last good war.” Following the surrender of Japan in WWII, the US issued a strict writ of censorship stating that “nothing shall be printed which might, directly or by inference, disturb public tranquility.” Consequently, the atomic bombings in Japan have become, as the novelist Mary McCarthy wrote in 1946, “a kind of hole in human history,” unaccompanied by much of a visual record. The article follows the discovery of an amazing cache of photographs, previously unseen to the public, taken by the US Military’s Physical Damage Division at the end of the war:
One rainy night eight years ago, in Watertown, Massachusetts, a man was taking his dog for a walk. On the curb, in front of a neighbor’s house, he spotted a pile of trash: old mattresses, cardboard boxes, a few broken lamps. Amidst the garbage he caught sight of a battered suitcase. He bent down, turned the case on its side and popped the clasps.He was surprised to discover that the suitcase was full of black-and-white photographs. He was even more astonished by their subject matter: devastated buildings, twisted girders, broken bridges — snapshots from an annihilated city. He quickly closed the case and made his way back home.
At the kitchen table, he looked through the photographs again and confirmed what he had suspected. He was looking at something he had never seen before: the effects of the first use of the Atomic bomb. The man was looking at Hiroshima. [link]
